Earth Harp strings glowing over a dark stage

The instrument

The audience is inside the instrument

The Earth Harp mounts to the stage, and its strings shoot out over the audience and attach to the theater, the landscape or the architecture. The space itself becomes a giant stringed instrument.

How it works

Chambers on the stage, strings to the architecture

In a concert hall, the Earth Harp’s resonating chambers rest on the stage. The strings run from the stage out over the audience to the balcony or another part of the building. The theater becomes the instrument.

Outdoors, the strings can attach to a festival’s main stage, a truss tower, a bridge, a cliff or the top of a skyscraper, at lengths up to about 1,000 feet.

William has designed and built more than 50 different bridges and resonating chambers for the Earth Harp, and chooses from about 15 of his best designs for each installation.

Earth Harp strings rising from a festival stage into the night
Lightning in a Bottle
Earth Harp strings running from a stage up to a rocky mountain peak
The mountain installation. Real photo, strings tied into the peak with climbing gear.

Where it began

The first Earth Harp crossed a valley

William built the first Earth Harp around the turn of the millennium. He mounted four large resonators and a bridge, roughly the size of two grand pianos, on one side of a valley and ran the strings almost 1,000 feet to the other side. The landscape became a giant harp.

Later, at the mountain installation, the strings ran from a stage to the top of a peak with caves near its summit. When the harp was played, the sound resonated inside the caves. The mountain was making music.

How it’s played

Violin rosin, gloves and a compression wave

William plays the giant strings with violin rosin on his gloved fingers. Running his hands along a string sets up what’s called a compression wave, a vibration through the material of the string itself, a little like running a finger around the rim of a wine glass. It’s a different kind of vibration from a plucked or bowed string.

To tune it, he invented floating bridges that mount to each string. With long enough strings, the range runs from the highest note on a violin to the lowest note on a bass, and beyond.

It’s an acoustic instrument. The tones are picked up by standard microphones and sent through the sound system. No computers are involved in making the sound.

William Close plays the Earth Harp on a theater stage, strings fanning into the hall
Playing the Earth Harp on stage
3 hours

Concert hall

A typical concert hall or performing arts center installation takes about three hours.

Up to 3 days

Mountain or skyscraper

The biggest installs combine rigging, climbing and tension work. The team calls it “Earth Harp-ing.”

Self-contained

Rigging and safety

William’s crew handles the rigging and provides a safety plan for each venue’s production team to review.

Where it has been strung

Concert halls to canyons

The Earth Harp has been installed all over the world, and each installation draws attention to the place where it’s played.

  • Concert halls
  • Museums
  • Performing arts centers
  • Festival stages
  • Skyscrapers
  • Canyons and valleys
  • Mountain peaks
  • Ancient temples
  • Cathedrals
  • Arenas and stadiums
  • Historic monuments
  • Lakes, pools and beaches
  • Glass atriums
  • Airport terminals
  • Public plazas
Earth Harp strings running up the side of a skyscraper at night
Sky Scraper installation

Booking

Bring the Earth Harp to your venue.

Tell us about your festival, city, venue or event. Matt Kendall at Concept Artists handles all Earth Harp bookings and will get back to you with options and pricing.